Coca Coors Corporate Social Responsibility - 3380 Words

Flavoring the Beer Print: The Furtherance of Miller Coors Corporate Social Responsibility Phil Koerber Dr. Branson OL-690 Executive Summary As the new Global Responsibility Director for Molson Coors, my objective is uncomplicated—to build upon what founder John Molson believed. Molson believed that everyone is a members of a larger community dependent on the idea where everyone played a part (Molson Coors, n.d.). This sentiment speaks directly toward corporate social responsibility (CSR). Defining CSR is a hard task. CSR could be non-governmental organization engagement, or a focus on charitable donations, and even relate to the ethical treatment of employees (Wan-Jan, 2006). I offer that CSR is about action—what it†¦show more content†¦When corporate responsibility strategies were first defined, the company s performance was benchmarked against global standards (Molson Coors, n.d.). The Global Reporting Initiative (GRI) was one such standard, as it â€Å"promotes the use of sustainability reporting as a way for organizations to become more sustainable and contribute to sustainable developme nt† (Global Reporting Initiative, n.d., para. 1). In 2009, the company was rated by the Pacific Sustainability Index (PSI) among the top 10 among beverage companies for its sustainability activities (Molson Coors (a), 2009). Furthermore, RiskMetrics, a leading provider of risk management and corporate governance products, provided an AA ranking to Molson Coors (Molson Coors (a), n.d.). The current vision and value statements for Molson Coors rely on a unproblematic idea—the proposition of commonality. A vision statement is the declaration of a company s goals which identifies what the company wishes to achieve or accomplish, and it should be a singular, unified, and clearly explained to all employees so that the proper business strategies are developed to reach the goals (Hom, 2013). The company s vision is deeply rooted in the idea of â€Å"Our Brew,† the cultural compass which provides direction, definition and value (Molson Coors, n.d.). This value is seen from the top down. Our CEO Peter Swinburn said, â€Å"It is our business to understand how the company affects the environment, and our employees,

Definition of Friendship - 1174 Words

As a child, there was a plaque on my father’s den wall that I would read everyday. It read, â€Å"A friend is someone who knows all about, and loves you anyway.† I did not understand what it meant. I though it was a cynical quote against friendship, being my father was the sarcastic type. As an adult, I have to admit secret apologies to my dad, because now I understand the concept and meaning, and hold it to be true in my heart of what friendship is about. Being an evolving emotion, friendship enters and flees life, faster than the speed of light. You will never know when you might meet a true friend, and cannot fathom the day that you will part company with one. In the third grade, while playing jump rope with classmates, we engaged in†¦show more content†¦Opening up your heart helps to heal emotional wounds and reminds friends of your appreciation for them. Often times, we forget to remind our friends of how special they are to us and letting them know that y ou do trust them with your problems as well as you triumphs. As adults we learn that opening up to our trusted friends is natural, not â€Å"corny† and â€Å"un-cool† as in our younger days. People don’t talk much about the love friends have for one another. When people describe friends, they often use the word like. â€Å"Like† isn’t strong enough to describe the bond shared between friends. In a true friend, you never get tired of their company, and you can always be yourself. You can confide and depend on them in ways we never knew we could with others. What we must realize is the fact that during our adolescent years, our friends were forced, through school and other activities. As an adult, we make our own choices, and befriend those that we deem worthwhile. We also learn that the number of these friends drops dramatically, in some cases to two or three people. That fact does not mean a person is unfriendly, it is just a reality that there are only so many people who will actually be there for you. When I say there, I mean emotionally, mentally, financially, etc. A true friend can understand why you need a little help this month on bills, or why you don’t want to hang out. Friends can see right through you, likeShow MoreRelatedDefinition Of Friendship Example Essay1172 Words   |  5 Pagesï » ¿Friendship Read the following information about friendship. Using the information presented, your own experience, observations, and/or readings, write an article for your school newspaper about the meaning of friendship. As you write your speech, remember to: Focus on the definition of friendship. Consider the purpose, audience, and context of your article. Organize your ideas and details effectively. Include specific details that clearly develop your article. Edit your speech for standardRead MoreThe American Loneliness: New Definitions of Friendship in the Silent Era1536 Words   |  6 Pagesthe â€Å"silent era† of friendships via social media accounts has created a totally new definition of friendship and what defines a set of people as friends. Those who are involved in traditional friendships, such as people over the age of 50, find that it has also become quite difficult for them to remain in touch with their friends on a real time level. However, these people do not have the time to spend nor the inclination to learn about the â€Å"benefits† of digitized friendships. As such the more advancedRead MoreRelationship Between Friendship And Friendship985 Words   |  4 Pages We hear the word â€Å"friendship† being tossed around daily, between family, friends, social media, etc. People just say the word without thinking what it really refers to, but does everyone really understand what the word â€Å"friendship † means? People believe that the word â€Å"friendship† is just used to describe a friend or a bigger group of friends, but in reality it actually means a lot more. I believe that it is important to know what the word â€Å"friendship† really means. Not everyone is going to haveRead MoreThe Role Of Attraction On Cross Sex Friendships964 Words   |  4 Pagesdynamic of cross-sex friendships is an interesting area of study and one of which has little data. Moreover, research on this narrow subject is rather limited and comes from fairly old studies. The idea that men and women cannot be ‘just friends,’ is due to the idea that there must be some aspect of physical and or romantic involved. As Reeder discussed traditional societal norms and expectations of male-female relationships have played a role in how we view cross-sex friendships today. The literatureRead MoreAristotle on Friendship Essay1134 Words   |  5 PagesAristotle on Friendship We are social creatures. We surround ourselves with other human beings, our friends. It is in our nature. We are constantly trying to broaden the circumference of our circle of friends. Aristotle understood the importance of friendship, books VIII and IX of the Nicomachean Ethics deal solely with this topic. A modern day definition of a friend can be defined as â€Å"one joined to another in intimacy and mutual benevolence independently of sexual or family love†. (OxfordRead MoreEssay about Aristotles Three Motivations For Friendship893 Words   |  4 Pagesmotivations for friendship: usefulness, pleasure and good. He postulates that when people seek friendship, they look for someone who is worthy of their affection based on one of those three motives. Whether his argument is true is debatable. Many might object to this simplification of such a complex topic. However, his theory holds weight within the context of Book VIII. Friendships based on two people’s usefulness to each other are considered by Aristotle to be the lowest form of friendship (AristotleRead MoreMisunderstanding Relationships in Boogie Nights Essay1629 Words   |  7 PagesThe film Boogie Nights provides an interesting case study of the unique nature of human relationships, specifically love and friendship. It presents a crisscrossing mash-up of various combinations of traditional love categories: friendly (plutonic or nonsexual) love, family love, lust, master/servant or apprentice/teacher love, etc. Besides being entertaining, Boogie Nights presents these combinations to provoke an insight on our part into the nature of love. This insight is exemplified in Jack’sRead MoreThe Elements Of Moral Philosophy919 Words   |  4 PagesFriendship, as defined here, is a general term that means a mutual fondness for the sake of both parties. The moral attributes of both individuals are significant in a friendship. According to Aristotle in Nicomachean Ethics, â€Å"it is of these attributes that we were the friends†. What happens when these attributes change morally, though? Moral changes are when people alter the way they reason through decisions and how much they consider others while doing so. Is it ethical to abandon a genuine friendshipRead MoreAristotle And Aristotle On Friendship1480 Words   |  6 Pagesto achieve eudaimonia. Another necessity Aristotle holds for eudaimonia is friendship. In the following essay I will argue that the value Aristotle places on friendship, within the good life, does not conflict with his contention that happiness is a stable good; in fact, friendship is imperative in demonstrating and maintaining the stability of virtue, a consistency that gives happiness its enduring quality. True friendship, according to Aristotle, is an external reflection of an individual’s internalRead MoreA Virtual Community By Rene Lysloff1505 Words   |  7 PagesA ‘virtual community’ is a type of imagined community and is a difficult concept to define; the ambiguous nature of this concept is highlighted by the many definitions created by researchers. A Virtual Community is when â€Å"Individuals communicate and form a relationship with each other in a computer mediated space with the use of technology. Anthropologists undergo the practice of participation observation on the internet , allowing them to experience a virtual community; this shapes their understanding

The Chorus And Oedipus The King WQuotes free essay sample

The Chorus And Oedipus The King W/Quotes Essay, Research Paper THE CHORUS and OEDIPUS the KING Oedipus the King, by Sophocles, is one of the more celebrated Grecian calamities in being. It # 8217 ; s fast gait and surprising stopping point are why the calamity is so popular, yet it is non really long and merely has 6 chief characters ; 4 chief household members, a priest of Zeus, and the chorus. In Oedipus the chorus is the character that represents the community of Thebes, the metropolis of Oedipus # 8217 ; governing. Neither of the other plants of literature we studied, The Odyssey ( Homer ) nor Gilgamesh placed such an accent on the people the male monarchs ruled. Yet, Sophocles gives them a character with many lines to show the ideas of the community, offer advice, and foreshadow the impeding day of reckoning. Simply adequate, these seem like the undertakings of any chorus, nevertheless, this chorus has one feature that sets it apart. This chorus plays the portion of Oedipus # 8217 ; scruples at times, teasing him and torturing him, they may drive him to force outing out his eyes in the terminal. The existent drama of Oedipus has the chorus as a group of terpsichoreans, who, in tight organized bunchs, dance and chant around the chief characters. The chorus gives Oedipus a great sense of belonging and throughout he is eager to delight his people. There was a pestilence that struck the metropolis all of a sudden. The people of Thebes turned instantly to their leader to salvage the metropolis from decease and devastation. Oedipus responds valorously to their hurts and vows to stop the pestilence no affair the effects. # 8220 ; Oh my kids, the new blood of ancient Thebes, why are you here? Huddling at my communion table, praying before me, your subdivisions wound in wool. Our metropolis malodor with the fume of firing incense, pealing with calls for the Healer and howling for the dead. I thought it incorrect, my ki ds, to hear the truth from others, couriers. Here I am myself- you all know me, the universe knows my celebrity: I am Oedipus, # 8221 ; ( Sophocles pg. 590 line 1-8 ) It is apparent that Oedipus attentions for his people and is eager to happen out why the metropolis is in convulsion. He goes on to assist up a Priest and begs him to proclaim the ground for the misery. # 8221 ; Our city- expression around you, see with your ain eye- our ship pitches wildly, can non raise her caput from the deepnesss. The ruddy moving ridges of decease Thebes is deceasing. A blight on the fresh harvests and the rich grazing lands, cowss sicken and die, and the adult females die in labour, kids stillborn, and the pestilence # 8220 ; ( Sophocles pg. 591 lines 27-32 ) .The chorus pleads for his aid to the lift the expletive of the Gods. Oedipus pities them, and valorously agrees to assist raise the pestilence as a good swayer would. Later Oedipus hears from Creon, Oedipus # 8217 ; married woman Jocast a # 8217 ; s brother, that the pestilence is caused by the slaying of King Laius. Merely when the liquidator is killed or exiled will the pestilence be lifted. Oedipus vows to happen the liquidator for the interest of his people and his ain safety. Oedipus frequently finds himself accepting advice. Normally that advice would come from the chorus. The chorus loves their male monarch and offers good advice in the clip of crisis. They help him maintain a flat caput about throughout, and rede him against making anything excessively cheeky. The chorus defends their land and those in it. They even defended Creon when Oedipus accused him of plotting to knife him in the dorsum. The chorus calmed Oedipus and saved the relationship between he and Creon. # 8220 ; Oedipus: Precisely. I caught him in the act, Jocasta, plotting, about to knife me in the dorsum. Creon: Never # 8211 ; cuss me, allow me decease and be damned if I # 8217 ; ve done you any incorrect you charge me with Chorus: Beli eve it, be reasonable give manner, my male monarch, I beg you! Respect him # 8211 ; he # 8217 ; s been no sap in the past and now he # 8217 ; s strong with the curse he swears to god The adult male # 8217 ; s your friend, your kin, he # 8217 ; s under curse # 8211 ; wear # 8217 ; t cast him out, disgraced branded with guilt on the strength of rumor merely, # 8221 ; ( Sophocles pg. 608, lines 725-733 ) . Oedipus agrees so to allow Creon travel, even if he is traveling to destroy him, he did it for his people. Oedipus still does non acknowledge to wishing him, he really says he still hates him which proves merely how strongly he views his people when taking their advice to allow one so despised be free. The chorus is invariably watching, mutely or intoning and dancing. They watch all that happens but they don # 8217 ; t experience as though they know the hereafter because they don # 8217 ; t proclaim I T, but they do suggest to what it may be. The chorus is invariably proposing that possibly Oedipus is the slayer, they chant around him inquiring who really committed the slaying and allow their heads run rampantly, so they question Oedipus about his backing. # 8220 ; Who- who is the adult male that voice of God denounces echoing out the bouldery gorge of Delphi? The horror excessively dark to state, whose ruthless bloody custodies have done the work? His clip has come to wing to outrace the entires of the storm his pess a run of velocity, # 8221 ; ( Sophocles pg. 603 lines 527-534 ) .They chant this as they dance around Oedipus. It instills uncertainty and expels intimations and inquiries of the artlessness of everyone, including Oedipus. # 8221 ; Oedipus- boy, beloved kid, who bore you? Who of the nymphs who seem to populate everlastingly mated with Pan, the mountain-striding Father? Who was your female parent? Who, some bride of Apollo the God who loves the grazing lands distributing toward the Sun? Or was it Hermes, male monarch of the lightening ridges? Or Dionysus, Godhead of craze, Godhead of the waste peaks # 8211 ; did he prehend you in his custodies, dearest of all his lucky discoveries? Found by the nymphs, their warm eyes dancing, gift to the Godhead who loves them dancing out his joy, # 8221 ; ( Soph. Pg. 620 lines205-213 ) ! The full transition here gives the general way to which the drama so follows, the mystifier of calculating out who the male parent and female parent of Oedipus is. The chorus does non cognize the result of the calamity but they believe they know in which general way the narrative line will take, and they foreshadow the coming confusion. Oedipus finally finds that his married woman is really his female parent and that Oedipus had killed his ain male parent, non cognizing it was he. The chorus # 8217 ; concluding undertaking in the calamity of Oedipus is to associate the ideas of his scruples. They echo the exact ideas that Oedipus would be believing at that minute. They chant and dance around him about in a sort of torturing manner, it seems as though they want him to confront his frights and his blue ideas, confess. They seem to put guilty ideas in Oedipus # 8217 ; caput tha t eat off at his scruples and may hold driven him to force outing out his eyes in the terminal. They sing of his blaze beginning and his resulting ruin, they sing of fury and sorrow as if those were the words of Oedipus himself. # 8221 ; does there be, is at that place a adult male on Earth who seizes more joy than merely a dream, a vision? And the vision no Oklahoman mornings than dies blazing into limbo, # 8221 ; ( Soph. Pg. 622, lines 1315-1318 ) . # 8221 ; But now to hear your narrative # 8211 ; is there a adult male more agonised? More wed to trouble and frenzy? Not a adult male on Earth, the joy of your life land down to nil boy and male parent both, boy and male parent came to rest in the same nuptial chamber. How, how could the furrows your male parent plowed bear you, your torment, disking on in silence O so long? Now I weep like a adult male who wails the dead and the coronach comes pouring forth with all my bosom I tell you the truth, you gave me life my breath leapt up in you and now you bring down dark upon my eyes, # 8221 ; ( Soph. Pg. 623, lines 1333-35, 1338-42, 1347-51 ) . The words sloping off of the page, about belonging to the incorrect oral cavity, the ideas of Oedipus chanted by the chorus in unison, continuously dancing in unison, they do this for a intent. They represent his scruples, the centre for his guilt and self-loathing. They proclaim his sorrows. Sophocles meant for his chorus # 8217 ; character to body the ideas of Oedipus, they personify his guilt in their vocals and in their dance moves, their Strophe.In the concluding pages of Oedipus the King we see the chorus alteration from idolizing their leader to going the trumpeter for his guilt. Throughout the calamity the chorus plays cardinal functions which parallel the King # 8217 ; s. They represent the community, and in making so proclaim the goodness and ability of their male monarch. They offer advice to the King in his clip of confusion, and in making so maintain thei r community from turning against one another. Finally the chorus acts as Oedipus # 8217 ; scruples, they proclaim his sorrows as if the sorrows were their ain, weep and lament for their male monarch and in making so feed into the guilt of Oedipus himself. In the terminal Oedipus gouges out his eyes with the broochs from Jocasta # 8217 ; s frock, his guilt for what he had done, although unwittingly, was much excessively strong to see everlastingly. The chorus, nevertheless, continues to dance.

Practical Similarities free essay sample

The differences between the stile antics and stile modern are large In any respects including the lives of the men who lived by both practices. One of the large differences that many people first hear of when they look at the two practices is that of harmony. These two styles have many different views of how harmony should be used in pieces pertaining to all music. The earliest composer known of to truly break the rules and use dissonances to cultivate the text or feeling in a piece that was not widely Smart 2 accepted as the right way of doing things was Claudio Monteverdi. Count dearths earlier models set by those firm believers in being the owner of the music. Giovanni Periling ad Palestinian is one example of the men who made such rules for music strictly pertaining to dissonances and over all lines. Crude Amarillo is by no means an out of the box piece for our ear, however In these days Monteverdi was considered a rebel for betraying the most beloved guidelines set by the Renaissance Composers. We will write a custom essay sample on Practical Similarities or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In many ways these first pieces of the new practice were not completely set to the ideals later stated as those that were the guidelines of stile modern, and followed many of the same rules set in stile antics.The polyphonic says of old followed many strict limitations Including the resolution of dissonances almost immediately if they were not on the passing tone and for melodic lines to almost always go up or down by step. If the melody leaped it was to be immediately countered by moving In the opposite direction by step. Though these guidelines most likely felt limiting to the composers who began the new practice, It was most likely not their aim to Just diminish stile antics for the sake of selfish gain. OFF and melodic lines as well as the genre for which the music was being composed were now as the Florentine Camera. These men were looking back in time for not the Changing of music, but for a new way of life. What they found were the Greek tragedies and poems that had been cherished for many years. The group decided that they would use these philosophical methods of ethos and emotion in their lives as well as their composition and arts. What began from this was a certain emotional draw in the music of the composers in the group as well as those influenced by them.Dissonances became more and more widely accepted to express a certain Smart 3 ;motion being portrayed by the text or structure of the music. Each line was given its own unique qualities and was not fit to the other lines only to make sure the harmonic intervals were always set perfectly. This could be why in most Baroque music the chords change almost every beat of the music. Through their new standard of living the Camera was able to express themselves in the arts and Changing the face of much of the music coming out along with them, though the roots from previous styles had not been forgotten.The ideas and beliefs brought forth by the Camera and many others were whole and acted as a benchmark for moving forward in music, but the ideas of past musical structures had not been forgotten. Polyphony which had seemed to be a key part of the stile antics with its many rules on line and counterpoint made a strong return through the Prelude and Fugue, particularly by Johann Sebastian Bach. J. S. Bach rote many organ pieces with long and fluid contrapuntal passages still following the deals set in the prima practical. Many of Bachs works had outlines brought pieces y such composers as Palestinian who some consider the father of the first practice. Palestinians Missal sine nominee gave Bach a strong inspiration for his particularly famous Mass in B Minor. Through this polyphony Bach was able to inspire the Lutheran Church as well as the works of many other composers who would later use his works as basis for their own. Many of the composers who would do this would move out of the Church setting and into private parties and royal houses to entertain, Inch was not heard of by the earlier predecessors of Polyphony who would have dated in the churches.These men would have only gone outside of the church if the King or a royal call was offered and would then return to the church for duties. Smart 4 Another true freedom of the new practice was the theory of basso continuo or figured bass. The bass line would not be completely illustrated but Just given the chord structure and let the accompanist play the other notes how they saw fit. This would mean that you may have gone to one place to hear a piece of music only to hear it completely differently played the second time that you heard it. This type of freedomNas one very large part of the stile modern that is still used in much of music today. Ere idea was originally featured by Gigolo Canine in his work El move musics. Cause of this freedom however, some accompanists saw it fit to waste around the accompaniment only playing bare bones of what was needed to fill in the chords given. This might have been one of the reasons that many of the opposition saw this to be a ridiculous new intervention because of bass line that was to be read A collaboration of all of the ideas set forth in this practice would be the monody.Monodies of the time were solo works with a figured bass as the accompaniment with many dissonances and harmonic imbalances throughout to demonstrate the emotion being felt through the text. These pieces also had a strong tie to the Greek tragedies be lieved in by the Camera as well as many others. Many of these monodies were used in some of the earliest operas which were the stories of the Greeks and the lives of the gods such as Orpheus. Because these early operas had no true arias and followed a different structure with more recitative like phrases throughout the entireNor, these monodies were used as a true expression of what was going on in the aria, though they were not only performed in operas, this might have been where they found their best fit. These monodies were also some of the premiere works in the second practice to show off all the ideas that had been brought forth by these composers. Smart 5 Ere men who used the second practice to launch a new era of music did not do so for themselves or because they felt a grudge against the prima practical, they did so Ninth the hopes of bringing the raw emotion back felt in the stories and tragedies of he ancient Greeks.Though the many differences between the first and second practices separate them in many ways, the practi ces still hold some similarities especially along the lines of contrapuntal polyphony. These men of the Camera as Nell as the other men with the same beliefs were not out to destroy the previous music by such composers as Palestinian, they were out to find a new way to express themselves and enjoy art in a new form. This way of art has not since been lost and is still celebrated today through many Baroque enthusiasts.